perfect rhythm, perfect pause, samples used perfectly. its a new bomb for all the djs. yes! simone burrini is one of the freshest artists on the international tech-house scene. now he has been present for years with its production in the rankings of the best djs producer, but every time is always ready to go crazy all the dancefloor. he is the resident dj of suburbia / love to love in rome and mallory records is the label of the club. is the time of its release, three original tracks and one with gabriele carasco.

supported by: moodymann, benji b (radio 1), danny krivit, dj sneak, daz-i-kue, unabombers, crazy p, makossa (g-stone), simon harrison (basic soul radio), chris coco, jose padilla!!! finally, leeds born dj/ producer dan ward aka negghead presents the long awaited 2nd single from his blissfully souled out debut album >scrambled negg<. >shifting sands<, vocalized by former nightmares on wax chanteuse chyna b., is surely the key track on >scrambled negg<, oozing sheer class & bringing you xtra smooth r&b vibes of a special kind, nicely layed out over a wicked (and at the same time ultra slick) beat that many other producers of decent >now music< on a club tip would definitely kill for. and as if that wasnt nice enough, wax on records proudly presents their very own >flying dutchmen<: ridiculously talented the planty herbs from tilburg/the netherlands, on the remix!! special backstock !!!

heads up folks! two club reworks of the soil&pimp sessions jazz-punk juggernaut >pop korn< by doc daneeka and wafa!
soil&pimp sessions are a jazz sextet from japan renowned for their flamboyant musicianship and style. their live show – dubbed death jazz – will melt your face. >pop korn< (taken from the bands sixth studio album) routinely incites riotous behaviour at gigs so was an obvious choice for the remix treatment.

top notch ghostbusters bassline with catchy vocals!

remixes und neue stücke zum >album des monats< in der groove! die jazzmusiker francesco tristano, rami khalife und aymeric westrich haben ihre zweite heimat im club!
neue 12 inch aus dem erfolgreichen album, mit remixen von clark (warp) und akiko kiyama (minus).

ein tool ist noch lang kein track. es braucht herz, gesicht und eier, um einer zu sein! mit diesem allgemeinplatz stellt sich das junge berliner label claqueur-records an die ziellinie. eine plattform für elektronische musik, die auf der tanzfläche funktioniert, aber auch außerhalb des clubs bewegen kann. claqueur möchte frei von fussfesseln der genrezuteilung zwischen den stilen springen können – ohne dabei nervös zu sein. tracks zum anhören. musik für den club. claqueur records.

tribute to larry heard, placed over a stripped down dubstep template on the flip, we present an exclusive remix by prolific dub-techno don quantec (styrax / echochord) who doesnÒt disappoint with a subaquatic groove of enormous proportions. quantec aka sven scheinhammer is a prolific and highly respected producer from berlin who has been releasing high quality house and techno tracks since the mid-90Òs on an array of well respected labels including echocord, styrax leaves, millions of moments and meanwhile. his sub-aquatic grooves span the music of detroit and berlin, referencing the classic sound of basic channel and catching the ears of the main players in various sub genres currently flirting with the crossover sounds of dub techno. quantecs remix of mrs fingers has already received fantastic praise and club support from the likes of 2562, headhunter and brackles, as well as radio play on radio 1, rinse fm and xfm.

with support by john selway, stephan bodzin, perc, technasia, xhin, tony rohr, dean facer and many more. the catalogue number 013 on the berlin label phunkit records is at the same time the starting shot for the first vinyl release. and exactly this one shows down-to-earth techno from the capital, elaborated and cunning, by the artist duo takt tick. the actual overhead conveyors and host djs from the tresor club present trend-setting productions. the name >u1< is, brought to the point, a little journey through the time of berlins underground. the a1 side sends the listener on a trip which is coined by dynamical passages of highs and crispy bass parts. uncompromisingly does the rhythm chase around the focused, flogging consonance and the slowly modulated intervals with short breaks. on the b side: >whisper<, a subtle peak-time monster which does not know any kind of holdup, full of energy and only waiting for the chance to make the strobes lose their wind. >black worms is a b2-bomber for sure. with its dusky sounds, it is solidly rolling without downward movement. shady, resonant, consequent and remorseless.

fully licensed is a new dubstep label that has burst on the scene. its already made waves in club land and its also pissing off the neighbours. we dont know much about krankie frank but what we do know is he knows his frequencies and therell be much more from this camp. watch out

professional dj headphone... the one-piece tma-1 headband consists of a strong, durable and flexible nylon material, which provides full flexibility when wearing and positioning the headphones during djing. the two different cushions can be changed easily with the click release function, so the headphones fit all situations – from a noisy club environment to just being on the road. the speaker is protected by the cushion plate with integrated filter and provides the richest sound that is available today along with the most durable driver technology. finally, there is a 3mm cotton fiber filter for isolation and the headphone cup out of a resistant abs material to protect the fragile parts. the 1.7 meter cable has a mini jack connection in both ends as well as a reinforced plug with a 1/8 adapter option. it has a 0.4 meter coil on the wire, which gives extra length and flexibility at the turntable.
the name tma-1 (tycho magnetic anomaly-1) is taken from arthur c. clarke s science fiction novel 2001: a space odyssey and refers to a black monolith, which is extremely long-lived and reliable – just as the tma-1.

the box contains:2 sets of earpads
a carrying pouch
a booklet
a 1.7 meter cable
a 6.3 mm stereo plug converter.

tma-1 specs:
transducer principle: dynamic, closed
driver unit size: 40 mm
impedance: 32±15% ohm
load rating: 0.1w
frequency response: 20 to 20.000 hz
total harmonic distortion: <0.3%
sensitivity: 110±3db weight w/o
cable: 190 gram
professionaler kopfhörer

>amigo< is the sound of friendly nature – deeply rooted in the music of latin america, and at the same incorporating latest recording technologies, this is the music for both extensive club use and advanced home listening. few minutes into its gentle, shimmering aura – and it becomes clear that this is the final and most perfect record of any latino-techno artist. submerged in warm, mid-tempo percussion arrangements, piers tracks leave a lot of room to breathe and let go of ones imagination – forming a soundtrack to virtually any activity an open mind can undertake.

>france 2< deservedly takes the headline-grabbing attention-seeking lead track position: pure mediterranean melodrama with a bold approach to gut-wrenching operatic melody that vangelis himself would be proud of. on a further anthemic tip comes the atonal melancholic vocal symphony of >voci giaga<, whose delicately constructed layers of harmonic voices build up to form something very special indeed. >h2< meanwhile is an exuberant explosion of arpeggios underpinned by an insistent analogue club groove, whilst to finish, the heady, disorientating >oceano< promises to be a key component of many a dj journey over the coming months, leaving your faithful disciples just-the-right-kind-of-lost within the cosy dancefloor bubble. already homegrown heroes in the club scene of their native italy, with the >france 2 ep< the time has come for margots 21st century krautrock message to reach out across the rest of the world.

remixes by simone farina and lysark!

the more dedicated amongst you may have noticed a very limited run of purple labelled 12s doing the rounds earlier this year bearing only the roman numeral for 1990, and comprising of two reworked club classics from the year in question well... this time we are looking back at 1987 hard to believe club music this sophisticated sprang forth from the most rudimentary equipment available it truly was a pioneering age - and its testimony to the enduring power of these raw, formative grooves that they can still easily carry a dancefloor four tracks then ranging from slamming chicago jams, to drug addled english basement music all respectfully rewired for a new generation

it has been the sweetness and warmth of the city of hamburg, its delightful venues such as the golden pudel club and smallville parties at ego that made him diving into deepest music. after >ne travaillez jamais< became the favorite track of all smallville and dial djs and rau played on one of those magic nights the idea of an album was born. the plan was as simple and lovely as the music on asper clouds is. here comes the sun.

remixes by phil fuldner, john creamer & stephane k, andrea t. mendoza and robbie rivera.

das debut album des italienischen duos >we love< war eins der sommerhits 2010. mit ihrer ersten 12inch überraschen sie nicht nur mit ihrer ganz eigenen und funktionellen club interpretation sondern auch mit den remix-spezialisten johnny d und ellen allien. tip!

named after the bird that graces the cover of watergates latest mix cd the, >peacock ep< contains all the exclusive tracks from the mix compiled and blended together by club resident lee jones. the a-side is handled by matthias meyer and lee, who team up for a peak-time killer laden with warm chords. this one has already proved itself on watergates main floor by getting butts shaking on multiple occasions. >kreuzberg 61<, musically is clearly inspired by lees experiences in watergate and his home for the last 8 years in berlins kreuzberg district. the reduced tempo and warm melancholic strings are an audible representation of looking through watergates glass walls out upon the river during the wee hours of a saturday morning. wrapping up the ep, is the after-hour anthem collaboration between lee and daniel dreier, >lullaby<. the perfect track to hum on your sunday morning stumble home.

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

nice price deal !!! the latest release on sabina plamenovas opit label marks the next step in her creative path with two multi-faceted and intriguing tracks of her own, remixed by egyptrixx and ghosts on tape, producers who boast some of the most relevant and inventive ideas in contemporary bass-driven club music. still impossible to define, subeenas original tracks on the package are innovative even by her own standards, and for the first time plamenova combines her own voice with her sensitive, intelligent, and nuanced production, to powerful effect. support from untold, simbad, sinden, altered natives, appleblim, scratcha dva, modeselektor and more.

benjas erste platte wurde im november 2009 veröffentlicht und erhielt grosszügigen support von djs wie miss jools, martin landsky, ray okpara, fabrizio maurizi oder tom clark. nun liefert der junge künstler aus zürich eine ep für das stark aufkommende schweizer label esance ab. der titel timeless ist auch gleich das programm: stampfende bassdrums treffen auf knackige percussions, sexy vocals und eine menge groove. tracks für jene momente im club, wo raum und zeit vergessen gehen und der rhythmus im mittelpunkt steht. als sahnehäubchen gibt es obendrauf noch einen remix von homm & popoviciu, welcher es, wie von den jungs gewohnt, exakt auf den punkt bringt. early support by oxia, brothers vibe, chris gruber, dubfire, ekkohaus, jay bliss, lee curtiss, martin eyerer, nick curly, re-up, someone else, andrew grant, anthony collins, axel bartsch, bloody mary, daniel.fx, d.diggler, dj wild a.m.m.

the first edition of the unirhythm green series. two brand new, smooth as ice tracks from the motor city madman marcellus pittman. the a-side is >tom remix<, a dynamic dj tool that will keep the heads bouncing in the club. the b-side, >if the earth could talk<, is equal parts deep and dubby, but still has that lo-fi detroit grit in the sound. this is a record that will stick around in many djs crates for a long time. this record is the first of a series of collaborations between unirhythm and fit.

storming club-rework of this beatles classic!

2005 double 12 inch by deep dish and singer morel, featuring remixes by audiofly and carlos legaz & spider.

r&s records return with another exciting young talent. space dimension controller has already caused a fuss on the underground with his >love quadrant< (kinnego) and >journey to the unknown sphere< (royal oak) releases. the temporary thrillz ep contains intergalactic slow jams, deep club excursions and mid tempo space funk, all with the sdc trademark depth, soul and finesse. this is another release that will cement sdc as one of the best and most talked about young producers of the year.

darling farah is like a shot of adrenalin, administered by his own mind to escape from the anesthetized music scene of his home, the united arab emirates. despite living in one of the most club baron countries in the world and a city that actually prohibits live music to be played in public, the talented eighteen year old has managed to master the art of production and therein spawn an underground scene all on his own.

the kid is back with silver island, an ambitious record that effortlessly manages to straddle the divide between the club and the house and confirms surkins mastery of dancefloor excitement (fan out), showcases a new take on swagger-heavy piano house (easy action) and unveils a new melodic direction (silver island). surkin is currently working on his first album, scheduled for fall 2010. detroit and chicago house luminaries ann saunderson and kevin irving are confirmed guests.

empty vessels ep is phil kierans debut on electric deluxe. first making his name as much-loved resident dj at the legendary shine club in his hometown of belfast, phil kieran has transitioned from local hero to main stage headliner in grand style.

nice price deal!

nice price deal!
remixes from calvin harris, wirwais and don diablo.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched. although a global success story, it played an interesting role especially in the german experience. lp comes in gatefold sleeve.

nice price deal !!!

a trak & armand van helden are back with another floorshaking disco / club banger!! additional electrohouse mixes from the in demand afrojack. probably the years biggest record so far act fast!

huge club techno 4-tracker feat two of the best artists from spain & two from serbia all delivering superb tracks!

annette sihler and peter clamat have worked for over 10 years as producer, dj, club-promoter and label-owner. in 2009 they herded to form the house-project >elektroherde<. >elektroherde (analogkäse)< do work with rather complex rythmic structures, piano phrases and appetizing basses, the unusual hooklines and shuffels in >guten morgen, andy!< drive away any remaining sleep and bring an early morning smile to your face

taken from the forthcoming album >nothing<, including remixes by boys noize, wideboys and crookers.

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

another clubhit in the making by mr roger sanchez, based on a sample of >love shack< by the b-52s.

as follow up to the massive bulk7 >lonely club< comes a new version of the classic >din da da<.